+ Vermeer Bibliography

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                          E.V. Bibliography: Vermeer's Materials and Painting Methods

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                          • COSTARAS, Nicola, "A Study of the Materials and Techniques of Johannes Vermeer," in , eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 145–167.
                          • FINK, Daniel A.," Vermeer's Use of the Camera Obscura: A Comparative Study." The Art Bulletin 53, 1971.
                          • GIFFORD, Melanie, "Painting Light: Recent Observations on Vermeer's Technique," in , New Haven and London, 1998.
                          • GROEN, Karin M.., Inez D. van der Werf, KIaas Jan van den Berg, and Jaap J. Boon, "Scientific Examination of Vermeer's 'Girl with a Pearl Earring'" in .eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 169–183.
                          • GROEN, Karin. "Painting Technique in the Seventeenth Century in Holland and the Possible Use of the Camera Obscura by Vermeer."In . Max Planck Institute for the History of Science, reprint 333. 2007. 195–210.
                          • HOWARD, Helen, David Peggie and Rachel Billinge, Helen Howard, David Peggie and Rachel Billinge, "Vermeer and Technique." National Gallery website.
                          • HOWARD, Helen, David Peggie and Rachel Billinge, Helen Howard, David Peggie and Rachel Billinge, "Vermeer and Technique." National Gallery website.

                            • Methods & Techniques (Introduction)
                            • Support and ground -
                            • Infrared examination -
                            • Vermeer's palette -
                            • Binding medium -
                            • Paint application -
                            • Secrets of the studio - o
                            • Time and transformation
                            • Altered appearance of ultramarine -
                            • Fading of yellow and red lake pigment -
                            • Drying and paint defects -
                            • Formation of lead and zinc soaps -
                            • Infrared examination -

                          • JANSON, Jonathan, Looking Over Vermeer's Shoulders: Seventeenth-Century Dutch Fine Painting Techniques and Studio Practices with Particular Focus on the Work of Johannes Vermeer (second edition), USA, 2016
                          • JELLEY, Jane. "," Art and Perception (July, 2013).
                          • JOHNSON, C. Richard Jr., and W. A. Sethares, "," JHNA 9:1 (Winter 2017),
                            DOI: 10.5092/jhna.2017.9.1.17
                          • KÜHN, Herman, "A Study of the Pigments and the Grounds used by Jan Vermeer.," Reports and Studies in the History of Art, National Gallery of Art (Washington, 1968).
                          • MILLS, A. A. "Vermeer and the camera obscura: some practical considerations." Leonardo 31 (1998): 213–218.
                          • NEIDHART, Uta and GIEBE, Marlies with essays by Albert Blankert, Chrisitne Klose, Johann Koller, Annalise Mayer-Meintsschel et. al., Johannes Vermeer 'Bei der Kupplerin,' exh. cat., Dresden, 2004.
                          • SEYMOUR, C. Jr. "Dark Chamber and Light-Filled Room: Vermeer and the Camera Obscura." Art Bulletin 46, 1(964): 323–331.
                          • SHELDON, Libby. "Johannes Vermeer's 'Young Woman Seated at a Virginal.'" The Burlington Magazine 148 (2006): 89–97.
                          • SHELDON, Libby. "Blue and Yellow Pigments: The Hidden Colours of Light in Cuyp and Vermeer." Art Matters, Netherlands Technical Studies in Art 4 (2007): 97–102.
                          • SHELDON, Libby."The Newest Vermeer: How Technical Research Convinced the Doubting Scholars." The Picture Restorer, no. 41 (Autum 2012): 14–18.
                          • STEADMAN, Phillip, , Oxford: Oxford University Press, 2001.
                          • VANDERVERE, Abbie and Abbie Vandivere and Annelies van Loon. "Girl with a Blog." http://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/
                          • Who's that Girl? (Introduction to research project)
                          • Preparing for exam ( What will happen in the Golden Room)
                          • Beauty is more than skin deep (Samples / Imaging )
                          • Vermeer illuminated (1994 treatment)
                          • Say cheese (Technical photography)
                          • A blank canvas (Canvas)
                          • From the ground up (Ground)
                          • Watching paint dry (Oil)

                            Art supply and demand (Paint, and where materials come from)
                          • Seeing red (Vermilion and cochineal )
                          • It's all there in black and white (Blacks and lead white )
                          • Background check (Background )
                          • Up close and personal (Under the microscope)
                          • Contouring, highlighting and blending (Skin )
                          • Dressed to impress (Yellow and browns )
                          • Out of the blue (Blues)
                          • Glazed over (Glazes and varnish)
                          • You’re crackin me up (Cracks)
                          • Wrap-up (Wrap-up)
                          • WADUM Jørgen, "Contours of Vermeer," in , eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, .201–223.
                          • WADUM Jørgen, Rene Hoppenbrouwers and Luuk Struick van der Loeff, Vermeer illuminated: Conservation, Restoration and Research, a report on the restoration of the "View of Delft" and the "Girl with a Pearl Earring," [Mauritshuis (The Hague: V+K Publishing, Inmerc) 1994. [in French as: Vermeer en plein jour: conservation, restauration et recherche].
                          • WADUM, Jørgen, "Johannes Vermeer (1632–1675) and His Use of Perspective," in Preprints Historical Painting Techniques, Materials, and Studio Practice. University of Leiden, 26–29 June (1995) 148–154. Malibu.
                          • WADUM, Jørgen & N. Costaras, "Johannes Vermeer's 'Girl with a Pearl Earring' De- & Re-Restored, in Restauration, Dé-Restauration, Re-Restauration. RAAFU (1995): 163–172.
                          • WADUM, Jørgen, "Vermeer in Perspective." In exh. cat., National Gallery of Art, Washington, D.C. Royal Cabinet of Pictures Mauritshuis, The Hague (1995–1996) 67–79.
                          • WADUM, Jørgen, "Les audaces techniques de Vermeer." Dossiers de l´Art 27 (1996): 30–41.
                          • WADUM, Jørgen, "Des perspectives curieuses et extraordinaires." Dossiers de l´Art 27, (Paris): 42–49.
                          • WADUM, Jørgen. "Vermeer and the Spatial Illusion." In The World of Learning in the Time of Vermeer (exhibition cat.), Museum Meermanno-Westreenianum (Museum of the Book), The Hague, 31–49.
                          • WADUM, Jørgen., "Vermeer's Use of Perspective, in Historic Painting Techniques, Materials, and Studio Practice," Reprints of a Symposium Held at the University of Leiden, The Netherlands, 26–29 June, 1995, Santa Monica, 1995.
                          • WADUM, Jørgen. "Vermeers zielgerichtete Beobachtungen." In exh. cat. Johannes Vermeer. Der Geograph und der Astronom nach 200 Jahren wieder vereint. Städelsches Kunstinstitut und Städtische Galerie, Franckfurt am Main (1997) 31–38.
                          • WADUM, Jørgen. "Contours of Vermeer." In , 55. Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII, eds. I. Gaskel and M. Jonker. Washington/New Haven (1998): 201–223.
                          • WALD, Robert. "'The Art of Painting': Observations on Approach and Techncique." In , eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 193–313.
                          • WHEELOCK, Arthur K., Jr., , New Haven: Yale Univ. Press, 1995.
                          • WHEELOCK, Arthur K., Jr. et al., , exh. cat. National Gallery of Art, Washington and Royal Cabinet of Paintings Mauritshuis, (Washington and the Hague) 1995.


                          Recommended Vermeer Reading


                          Garry Schwartz
                          2017
                          Vermeer, Karl Schutz
                          Karl Schütz
                          2015
                          Wayne Franits, Vermeer
                          Wayne Franits
                          2015
                          Vermeer: The Complete Paintings, Walter Liedtke
                          Walter Liedtke
                          2008
                          Vermeer, John Nash
                          John Nash
                          2002
                          Vermeer and the Delft School, Walter Liedtke
                          Walter Liedtke 2001
                          Vermeer: The Complete Works, Arthur K. Wheelock Jr.

                          Arthur K. Wheelock Jr.
                          1997
                          Johannes Vermeer, Arthur K. Wheelock Jr."

                          Arthur K. Wheelock Jr.
                          1995
                          Vermeer Studies, ed. Ivan Gaskell &amp;amp; Micheal Jonker

                          ed. Ivan Gaskell & Micheal Jonker
                          1995
                          Vermeer and the Art of Painting, Arthur K. Wheelock Jr.

                          Arthur K. Wheelock Jr.
                          1995
                          Vermeer, Martin Bailey

                          Martin Bailey
                          1995
                          Vermeer, Lawrence Gowing

                          Lawrence Gowing
                          1970

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